ارسال تبریک وپوسترسخنرانی درآمریکا توسط دکترحمیدرضافلیچ خانی :
جناب اقای شریعت بهادری
نوروز بر شما و خانوادۀ محترم مبارک باشد.
آرزومند تندرستی و شادکامی شما هستم.
پوستر دو سخنرانی ام در پرتلند و کارولینای شمالی امریکا را برایتان پیوست کرده ام.
به امید دیدار.
ارادتمند
امریکا : حمیدرضا قلیچ خانی
ارسال پوستر از آثار جدید توسط دکترحمیدرضاقلیچ خانی از آمریکا :
سلام خسته نباشید
دوست گرامی سال نو را به شما واهالی محترم روستای جوشقان تبریک عرض کرده وآرزومند موفقیت روزافزون شما در سال نو هستم
حق نگهدارتان
:دعوت ازدکترحمیدرضاقلیچ خانی جهت سخنرانی درآمریکا
Dr. Hamid Reza Ghelichkhani
Contemporary Persian & Arabic Calligraphy
Tuesday April 1, 7:00 p.m., Reed College Chapel
Please join us for a special lecture on contemporary Persian and Arabic calligraphy by renowned calligraphy scholar and calligrapher Dr. Hamid Reza Ghelichkhani
Tuesday, April 1, 7:00 p.m.
Reed College Chapel, Eliot Hall
Prior to the lecture there will be a reception at the Cooley Gallery from 5:00–۶:۴۵ p.m., refreshments served
Dr. Hamidreza Ghelichkhani received his PhD in Persian from Delhi University in India, writing his dissertation on Mogul Bookmaking and Ornamentation through the Poetry of Orfi Shirazi to Bidel Dehlavi. He holds a Master’s degree in Persian Literature from Islamic Arak University in Tehran. Ghelichkhani has taught calligraphy, paleography, and typography for over a decade at institutions such as the University of Delhi, India, and Amir Kabir University in Tehran.
A highly respected calligrapher, Ghelichkhani has exhibited his work widely, and curated historical and contemporary calligraphy exhibitions in Iran and India. He is the author of numerous publications on the history and practices of calligraphy.
Dr. Ghelichkhani’s visit is supported by the American Institute for Iranian Studies and the Office of the Dean of Faculty, Reed College.
Qalam, through April 27:
The Douglas F. Cooley Memorial Art Gallery, Reed College, is proud to present Qalam, Calligraphy and Islam from the Middle Ages to the Present, an exhibition of historical and contemporary Arabic and Persian calligraphy, and related material, that offers an immersive glance into one of the most poetic and spiritual art forms. The earliest qur’anic verses (96:1-5) that refer to God as the Creator who teaches “by the pen”—al-qalam—signal the esteemed place of calligraphy in the world in which Islam emerged. The development of Arabic calligraphy, from its earliest linear forms in the eighth century, to its subsequent standardization as a set of cursive scripts by a lineage of master typographers and calligraphers, evidences the complex and shifting status of text and image throughout this history. The works in Qalam elucidate this complexity, asking visitors to consider the evolving relationship between calligraphy and Islam, as well as the continuing transformation and exhibition of this art form.
Qalam is curated by Kambiz GhaneaBassiri, Associate Professor of Religion and Humanities, Reed College; and Stephanie Snyder, John and Anne Hauberg Curator and Director, Douglas F. Cooley Memorial Art Gallery. The exhibition is being examined and further elucidated by the students of Professor GhaneaBassiri’s course “Art and Literature of Islam.”
همیشه از فاصله ها گله می کنیم؛
شاید یادمان رفته که در مشق های کودکی؛
برای فهمیدن کلمات؛
کمی فاصله هم لازم بود …
از کودک فال فروش پرسیدم : چه می کنی …!؟
گفت : به آنان که در دیروز خود مانده اند، فردا را می فروشم …
برای بلند شدن باید خم شد؛
و اگر گاهی مشکلات تو را خم کرد؛
بدان آغاز ایستادن است …